
Take an
Fort & Monuments tour and travel by Palace on
Wheels, pay a
visit to World Heritage Sites of India that
brings to the fore some of the most amazing examples of architectural
grandeur that took place in India in the gone by era's and became an
inspiration for the future generations.

An hour west of Agra lies
Fatehpur Sikri, the amazing capital of Akbar the Great. Described
as an epic poem in red sandstone,
Fatehpur Sikri owes its
foundation to Emperor Akbar the Great who built it in 1569 and
deserted it 14 years later because its water supply failed. The legend
relates that Akbar was without a male heir and made a pilgrimage to this
spot to see the saint Sheikh Salim Chisti to ask for his blessings for a
son, who when born was named Salim and Akbar decided to shift his capital
here. Its glorious courtyards and palaces conjure up dreams of the
mysterious past.
Described
as an epic poem in red sandstone, Fatehpur Sikri is a concrete expression of
the towering personality, the ambition and the exquisite taste of the great
king. The Jami Mosque was perhaps among the first buildings to come
up. Its epigraph gives AH 979 (AD 1571-72) as the date of its completion.
The Buland-Darwaza was added some five years later and this 175-feet
entrance gate of Fatehpur Sikri is considered to be the highest gateway in
the world.
Akbar employed local masons and craftsman and allowed
them the freedom to use their traditional skills to create a new style,
which has been called "Akbari". The architecture of Fatehpur Sikri
is a combination of both Hindu and Muslim styles.
The structures
here include palaces and courtyards, as well as official buildings like
audience halls, the treasury, the harem, soldier's barracks and kitchens.
The attached complex comprises the main mosque, the shrine of Sheikh Salim
Chishti and a lofty gateway.
With
Akbar begins a distinct style of architecture that blends a Islamic and
Hindu elements to create something unique. The Islamic architecture
of Afghanistan and Persia was marked by precise plans and subdued
ornamentation in the form of geometric motifs. The Hindu and Buddhist style
were more florid. The Akbari style which fused the two was born of he king's
personal preferences and from his use of Hindu craftsman, primarily from
Gujarat.